I'll go for it nonetheless, even if I do get everything wrong, because it's such a good illustration of two compositional lessons - how to fill a large canvas with simple means, and how to use diverse elements such as harmony, bassline, and orchestration to articulate form and contrast. "Hey Jude" is such a monumental favorite, I'm almost dissuaded from touching it because of the pressure to say something profound. US-release: 26th August 1968 (A Single / "Revolution") UK-release: 30th August 1968 (A Single / "Revolution") Recorded: 29th, 30th July 1968, Abbey Road 2 ģ1st July, 1st August 1968, Trident Studios | Bridge | Verse |Jamming Phrase (fade-out)ĬD: "Past Masters", Volume 2, Track 7 (Parlophone CDP 90044-2)
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